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Gambara (short story)
''Gambara'' is a short story by Honoré de Balzac, first published in 1837 in the ''Revue et gazette musicale de Paris'' at the request of its editor Maurice Schlesinger.
==History==
At the time of its publication, Balzac was going every week to the Théâtre des Italiens, watching the shows from the box of the Guidoboni-Visconti, Italian friends of his who had first met him in the Scala in Milan and at the shows in Venice.〔Notes de Pierre Brunel pour ''Gambara'', volume comprenant aussi ''Massimilla Doni'' et ''Sarrasine'', « Folio classique », Gallimard, 1995.〕 The text was edited into a single volume with ''le Cabinet des Antiques'', published by éditions Souverain in 1839, before being published by édition Furne in 1846 in the ''Études philosophiques'', following ''Massimilla Doni'', a short story also written by Balzac shortly after returning from Italy, highly impressed by what he called the "mother of the arts".
This work shows the formidable artistic intuition Balzac had already developed in ''le Chef-d'œuvre inconnu'', ''la Bourse'', his habit of taking on the guise of a painter and of searching the soul and meandering thoughts of a sculptor in ''Sarrasine''. With ''Gambara'', Balzac addressed the musical world with the character of an instrument-maker who becomes a composer of mad music, as a substitute for himself as an author composing a work - he has Gambara say:
Misunderstood on its first publication, this short story has since been recognised as a major work. (Musicologists have demonstrated very few errors in Balzac's research, which he passionately documented.) Balzac was so knowledgeable about music that he impressed George Sand with his ideas about opera during a conversation on music, and she advised him to write down what they had been discussing.〔Notes de Pierre Brunel pour ''Gambara'', ''Ibid.''〕
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